Chika Unigwe is a contemporary Nigerian writer whose works belong to the segment of the Nigerian literary tradition critics have articulated as “third generation writing.” Her group includes Ben Okri, Chimamanda Adichie, Helon Habila, and others. Though much neglected, her works, like her contemporaries’, in no small way comment on the circumstances of modern life in Nigeria. Focusing on Unigwe’s (2013) Night Dancer and drawing on Balaev’s strand of trauma theory that details, through memory, the influence of perception, society, and other postcolonial contextual factors on a trauma victim, this paper seeks to give a productive interpretation of the immediate and remote causes of the main character’s traumatizing search for and discovery of her roots, cast light on her mother’s equally traumatized adult life and death, and explain the role memory plays in the text. Night Dancer, thus, opens up a new chapter of the postcolonial woman in African literature, where she transits from the stage of aiding freedom fighters, standing beside her husband to reap the good of the newly independent nation, and desiring to have children, to that of fending for herself and her child(ren) alone, however she does it.
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