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The IUP Journal of English Studies :
Necessity Freed Spinoza and Imprisoned Yakov: The Presence of Spinozas Ethics in Malamud's The Fixer
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In the works of Bernard Malamud, the issue of imprisonment is fundamental not only as a symbol of the acceptance of human being's limitations in life but also as a way to evidence his/her subjection to superior forces such as Nature's laws. Ironically, in Malamud, imprisonment is a key element in the protagonist's freedom. In this paper, I will focus on the presence of Spinoza's concepts of God, Freedom and Historical Necessity, and State in Malamud's The Fixer. It will be shown that reflecting on these concepts in the light of Spinoza's Ethics will eventually help us understand Yakov Bok and his role and position in the world.

 
 
 

In the works of Bernard Malamud, the issue of imprisonment is fundamental not only as a symbol of the acceptance of human being's limitations in life but also as a way to evidence his/her subjection to superior forces such as Nature's laws. Ironically, in Malamud, imprisonment is a key element in the protagonist's freedom. In this paper, I will focus on the presence of Spinoza's concepts of God, Freedom and Historical Necessity, and State in Malamud's The Fixer. It will be shown that reflecting on these concepts in the light of Spinoza's Ethics will eventually help us understand Yakov Bok and his role and position in the world.

A key commonplace in Bernard Malamud's novels is the presentation of the hero as an individual, who has not found his place in life because he still has not come to terms with himself. For this reason, he searches for a connection with the world carried out on the basis of Malamud's assumption that both the present and the past are linked. Typically, the past reappears in the hero's present life as part of a life full of errors. When the hero learns from them - Frank Alpine in The Assistant (1957) and Yakov in The Fixer (1966), among others - he is finally redeemed; conversely, if he does not learn from themas is the case with Roy Hobbs in Malamud's first novel, The Natural (1952) - he is doomed to fail.

Throughout his learning process, the protagonist is usually subject to such an intense suffering and hard imprisonment that he feels compelled to question God's goodness. Imprisonment is a milieu Malamud uses, to facilitate both his protagonists' selflessness and understanding of the difficulties man must face. Once they realize that the painful experience they have gone through has transformed them into better human beings, they are ready to recover their ancestors' faith and religion.Imprisonment is, therefore, a fundamental issue in Malamud: it is not only a symbol of the acceptance of man's limitations in life (Leslie and Joyce, 1975, p. 12) but also his subjection to higher forces such as nature's laws. Ironically enough, he presents the theme of imprisonment as a way to reach freedom. In this sense, as will be shown below, I consider it essential to analyze Malamud's novel The Fixer in the light of Spinoza Baruch's concepts of God, Freedom and Historical Necessity, and State because they help the protagonist better understand his life by making him reflect on his role and position in the world.

 
 
 

Bernard Malamud, Imprisonment, Jewish philosopher's system, Protagonist's freedom, Malamudian protagonist, Spinoza's Ethics, Generositas, Moral development, Theologico-Political Treatise, Social Criticism, Malamud's Novels, Historical Necessity