Home About IUP Magazines Journals Books Archives
     
A Guided Tour | Recommend | Links | Subscriber Services | Feedback | Subscribe Online
 
The IUP Journal of American Literature
Influence of The Bhagavad-Gita on T S Eliot's Four Quartets
:
:
:
:
:
:
:
:
:
 
 
 
 
 
 
 

T S Eliot had an acute interest in faith and divinity. Like many artists and writers, he expressed the mysteries of faith in a beautiful and lucid way through his poems. Four Quartets, one of his masterpieces, presents the best of Eliot in both form and content. This paper traces the influence of the Indian scriptural and philosophical treatise The Bhagavad-Gita on Eliot's Four Quartets. While it is a known fact that Eliot himself had acknowledged that he had been greatly influenced by Indian philosophy and mysticism in general andThe Bhagavad-Gita in particular, this paper attempts to illustrate how far that influence had shaped his thought process in his celebrated workFour Quartets.

 
 
 

Thomas Stearns Eliot (1888-1965) was one of the most influential modern poets, dramatist, and literary critic, who was awarded the Noble Prize for Literature in 1948. Though he is better known for his poem "The Waste Land," Eliot himself considered Four Quartets his masterpiece. Besides the influence of Dante, Shakespeare, The Bible, and other Christian mystics on his thinking, Eliot was also greatly influenced by Indian philosophy and mysticism, especially by The Bhagavad-Gita, which is universally acknowledged as one of the finest literary and spiritual masterpieces of the world. His admiration for The Bhagavad-Gita is evident from his statement, the "next greatest philosophical poem to the Divine Comedy within my experience."

Four Quartets is easily the most perfect piece of poetry written by Eliot, which presents the best of Eliot in both form and thought. It is a collection of four poems—"Burnt Norton" (1936), "East Coker" (1940), "The Dry Salvages" (1941), and "Little Gidding" (1942)—that represent the separate elements of thought, time, eternity, action, inaction, attachment, and detachment, for a philosophical solution to the immediate problems of both emotion and intellect.

A Hindu thought, as expressed in The Bhagavad-Gita, becomes the central theme of the poem, revealing Eliot's need for finding solace through Vedic metaphysics. George Williamson informs that the basic idea contained in the Four Quartets is seen "analogous in both Christian and Hindu thought, in St. John of the Cross, or The Bhagavad-Gita" (Williamson, 1970). In fact,Four Quartets closely follows The Bhagavad-Gita in both its form and content.

 
 
 

American Literature Journal, Indian Philosophy and Mysticism, Spiritual Masterpiece, Cultivate Self-Perfection, Spiritual Significance, Self-Realization, Philosophical Presentation, Metaphysical Reality, Poetic Technique, Philosophical Realization.