It is generally assumed nowadays that man (homo sapiens) has descended from some ape-like creature, which itself, `evolved' from some even more primitive mammal, by a
process of `natural selection' which entailed numerous accidental developments of organs
and functions: this is the so-called scientific view (Dawkins, 1996; Gribbin and Cherfas,
2003; Ruse, 2003; etc.), although many scientists have since the 1980s cast strong doubts on
this (neo-) Darwinian explanation of the appearance of different species in the earth's
biosphere (Denton, 1985; Bowler, 1992; Behe, 1996; and Dembski, 2004). It is generally assumed
that human language `evolved' out of animal grunts and bird-twitterings after the
vocal machinery and brain structure became sufficiently and fittingly developed (Hawkins
and Gell-Menn, 1992, pp. 21-83). Another widespread assumption is that the worship of
the Mother Goddess is a much earlier form of religion; to quote an authority: "The
later patriarchal religions and mythologies have accustomed us to look upon the male god
as a creator ... But the original, overlaid stratum knows of a female creative being"
(Newmann, 1955, quoted by Klostermaier, 2000, p. 188).
Neumann assumes for the whole region of the Mediterranean a universally
adopted religion of the Great Mother Goddess around 4000
BCE, which was revived about 2000 bce, and spread through the whole of the then known world. In this
religion the Great Goddess was worshiped as creator, as Lady of men, beasts and plants,
as liberator and as symbol of transcendent spiritual transformation.
The Indus civilization also belonged to that tradition in which the cult of the
Great Goddess was prominent. Numerous terracotta figurines have been found: images of the Mother Goddess of the same
kind that are still worshiped in Indian villages
today. Several representations on seals that appear connected with the worship of the
Great Goddess also exist. On one of these we see a nude female figure lying upside
down with outspread legs, a plant issuing from her womb. On the reverse there is a
man with a sickle-shaped knife before a woman who raises her arms in
supplication. Obviously it depicts a human sacrifice to the Earth Goddess. |