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The IUP Journal of English Studies :
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Description |
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The Bodos1 are the aboriginal people of Assam, a state of North-East India, and
they have been passing through trial and tribulation down the ages. They were
scattered over a large stretch of this part of country once upon a time. There are various factors that contributed to their eroding identity. The most important is the large-scale influx of the Bangladeshi nationals and the corresponding government policy of appeasing the immigrants for getting votes at the cost of the preservation and development
own representation.4 But the ‘representation’ itself is a critical term in post-modern perspective. It is significant to mention what W J T Mitchell says in this context,
in Critical Terms for Literary Study.
A survey of post-modern experiments in literary representation … in any case is intended to raise the issue of representation as a problem that runs out throughout the history of literary production. Suffice it to say that concepts such as the identity of the text, the determinacy of meaning, the integrity of the author and the validity of interpretation play a role in the representational
(or anti-representational) character of literary texts (p. 17).
Although Bodo language has its Mongoloid root, the process of the growth and the development of the language and literature owe more to the Indian languages and cultural context. The languages to which Bodo language has immediate access are Assamese and Bengali. English as a global language has a large impact on it. Needless to say, for the making of the Bodo identity many cultures are responsible. The Bodos as such have their moment of protest as well as acquiescence in their cultural expressions. Bodo literary genres project this posture well. In contemporary Bodo poetry, there is more of assimilation and a romantic exploration like that of Keats. Keats confesses in his letter To Richard Woodhouse, 27 October1818.
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