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The IUP Journal of English Studies :
Tempestuous Turbulence in Shakespeare’s Hamlet, Othello and Macbeth
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T S Eliot in 1930 said that to read Shakespeare is to know a pattern, which after all is the main thing. Shakespearean tragedies have always been influencing people to know the truth about life. Journeying through them is to realize that life is in the making. In this paper, a comparison has been made of the events that follow in the tragedies with those of the storms. Occurrence of death and devastation in the tragedies is examined and the storms highlight the central reality of pain in life. Storms and tragedies might look natural a phenomenon. But Shakespeare shows in tragedies the darker side of human existence, that of an enfeebled spirit dousing the beautiful life. Shakespearean hero is impacted by the overwhelming conditions as the storms run the creation dry of life. Regrettably, the hero turns out to be just a natural piece, and struck by reality of pain and consumed by his nerves, loses courage and fails everyone. He supremely lacks the undaunted spirit that permeates a spiritually cultivated being, pursuing the art of living.

 
 
 

Shakespearean tragedies have a profound effect on the hearts of the readers. It is a soul-stirring experience for all those who read them. As a great dramatist, Shakespeare touches our hearts and induces tempestuous turbulence. This makes our hearts clean of lowly passions, as stormy tides cleanse the sea, leaving smirch out on the shores.

It is therefore worthwhile to trace out such tempestuous moves in three of his great tragedies, viz., Hamlet, Othello and Macbeth. Such an exercise is an attempt towards a unique and gratifying way to appreciate these tragedies.

Interestingly, Shakespeare has created tragedies which are befitting examples to the definition of tragedy given by Aristotle. He said:

Tragedy is an imitation of an action that is serious, complete and of a certain magnitude; in a language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action not of narrative, through pity and fear effecting the proper Katharsis, or purgation of these emotions (Butcher, 2002, p. 240).

 
 
 

English Studies Journal, Tempestuous Turbulence, Shakespeare, Hamlet, Othello, Macbeth, Arena of Tragedy, Life of Hero, Parallel Polarized Anti-Front.