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The IUP Journal of English Studies :
An Analysis of Indian Poetic Tradition: Sri Aurobindonian Perspective
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Sri Aurobindo considers literature an expression of spiritual experience of a writer and a vehicle of a superior power which helps a poet to open himself to the experience of infinite consciousness. Sri Aurobindo regards poetry as something divine, the function of which is to encapsulate the spiritual truths a poet experiences as a seer. He further says that with a supramental thought leading to a supramental life alone can a poet reveal a poet’s ‘inner being’. He assigns poetry a spiritual or psychic value and effectiveness of a psychic or spiritual character for he opines that in all ages spiritual seekers have expressed their aspiration or their experiences in poetry or inspired language and it has helped them and others. He has rightly comprehended the ancient Indian poetic tradition that says, kavayah satyasrutah and kavayah satyadrutah, which means the poet is the one who visualizes and experiences the truth. V K Gokak compares Sri Aurobindo to Ved Vyasa. Sri Aurobindo stands unique in connecting himself to the hoary poetic tradition of the Vedic Rishis. The predominant spiritual element of his poetry has kept many a reader at bay. It is very unfortunate that some of the modern critics and poets in India have passed harsh judgments on his poetry. It is due only to their failure to understand and appreciate the poetic tradition in which he was working. Their sensibilities, which are forged in the smithies of western critical traditions, have made them insensitive and incapable of appreciating his contribution to Indian poetry in general and English poetry in particular. The present paper discusses the reasons for their insensitiveness and their incapability of appreciating his poetry by drawing a comparison between Indian poetic tradition and English poetry and the influence of English poetry on Indian poetic tradition.

 
 
 

Poetry is one of the three major art forms of literature, the other two being drama and novel. It is one of the earliest forms of literature, which is still popular and influential. The Indian concept of poetry has been a highly evolved form of communication and it includes both the material and spiritual aspects of human life. It is to this lofty and hoary tradition that Sri Aurobindo’s poetry belongs. Sri Aurobindo regards poetry as something divine, the function of which is to encapsulate the spiritual truths a poet experiences as a seer. He further says literature is an expression of spiritual experience of a writer and a vehicle of a superior power which helps a poet to open himself to the experience of infinite consciousness. The doctrine, “That thou art,” enunciated by the Vedas, is upheld by Sri Aurobindo as a path to realize the true meaning of life. Sri Aurobindo, the modern seer, tried to revive the notion of poetry as believed and practiced by Upanishadic sages. As such it is a bit difficult to comprehend his concept of poetry.

The enormous contribution that Sri Aurobindo made to the spiritual life or Indian poetry in English remains unparalleled even to this day. He is unique in connecting himself to the hoary poetic tradition of the Vedic rishis and reviving it in modern times in an alien language. Even his critical comments on the British romantic poetry are insightful and illuminating. As Gokak (1972) has said, “Sri Aurobindo can be compared to Ved Vyasa”. To understand and appreciate his poetry, it is imperative to have the knowledge of Indian culture and ancient Indian theory of poetry. It is unfortunate that some of the modern critics and poets in India have passed harsh judgments on his poetry. Very often the predominant spiritual element of his poetry has kept many a reader at bay. The comments made by poets like Jussawala (1968) and Parthasarthy (1976) on Sri Aurobindo and his poetry are due to their failure to understand and appreciate the poetic tradition in which Sri Aurobindo was working, that is, the tradition of the Vedic and Upanishadic sages. Their sensibilities, forged in the smithies of western critical traditions, have made them insensitive and incapable of appreciating Sri Aurobindo’s contribution to Indian poetry in general and English poetry in particular. To estimate Sri Aurobindo’s poetic achievement and contribution, one has to understand the philosophical framework of his mind and ideas.

 
 
 

English Studies Journal, Indian Poetic Tradition, Sri Aurobindonian, Ved Vyasa, That thou art, Ancient Indian Poetry, Valmiki, Golden Age of Sanskrit poetry.