Traditional Tiv comedy and comic forms flaunt their cultural and artistic properties based on the spatial bursts of sociocultural energy, itself reliant on worldviews, interests, thoughts, and values qualitative and quantitative to traditional components of life and metaphysics. The dictates of time and development and the ascendency of western inspired character of technological and scientific dynamics of social, economic, and political orientation and postmodern existence have tended to change the pattern and character of traditional information and entertainment generation and dissemination from its oral formation and age-old tradition of handing down materials and experience through elders from generation to generation and knowledge and wisdom from elders to a digital form which co-habituates the old and the modern to a synergy, opens up traditional cultures, and links up extreme communities to a large global space. Much as the phenomenon is creating plural identities and all sorts of contrary alien values, it has forged unifying properties and produced endless possibilities and potentialities for the traditional oral art forms, most of which were threatened to extinction. The paper explores and illuminates Tiv comedy and comic forms as they hybridize in what the writer terms a technologized digiperformance. The paper examines the changing trend in Tiv comedy and comic forms in its manifestations in the digital technology, in its new artistic secondary production, commoditization and consumption, and in its new shape capable of achieving wider patronage, cultural and cross-cultural unity, preservation, academic discourse, and national and global development.