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The IUP Journal of English Studies :
Of Variety and Brevity, and Values and Wisdom: A Study of V V B Rama Rao’s Poetry
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V V B Rama Rao’s poems exhibit the poet’s adroitness in handling his themes with clinical precision and mastery of a literary critic. He nowhere falters: the ideas have been skillfully woven into the texture of the poems, leaving the readers more informed, more enlightened, and a bit more traversed voyager on the planes of imagination. The collection is full of word paintings, which one would like to gaze at, every time finding something new to invoke imagination and whet sensibility. This paper shows how the variety of Rama Rao’s themes evidences his capacity to make anything under the sun the subject of his poetry, how his experience and erudition are reflected in his literary allusions and examples and images drawn from his surroundings, and how his work speaks volumes about his Nativist sensibility and manifest fervor.

 
 
 

V V B Rama Rao, born in 1938, retired as an ELT1 professional. A prolific writer in English and Telugu, with more than fifty published works in several genres, he also produced some slim volumes of poems: Seeing God and Other Poems (hereafter referred to as Seeing God) as a desktop edition first and later along with many more poems as For Our Grandchildren (2011). This volume consists of sixtyfour poems on a variety of themes. Two things impress his work: the crystallization of a concept of his own—“In the very conception, a poem creates for itself its own context, space, and structure”—and the twin qualities of variety and brevity that his work displays. Srinivasa Rangaswami reviewed Seeing God as a desktop edition (now enlarged and issued with the new title, For Our Grandchildren) at first, some years ago, for a journal of international repute, declaring with aplomb: “With the poet [Rama Rao] the immediate leads to something beyond the moment. And whatever the message, he must deliver it, get it off his chest, as it comes, without stopping to carefully ‘decorate’ it. This spontaneity, with its surprises makes for his instant appeal.” The veteran identified the poet’s sense of urgency, subtly though.

The very first poem, “Beauty and the Feast,”2 praises the Supreme Power whose decision/order is carried out by other deities. All events—from “the fall of a sparrow” to the budding of a plant and twining of a creeper—of this world are His beautiful decisive dispensations. The beauty of the world has beautifully been delineated by Sri Adi Sankara in his creation Saundaryalahiri, which the seer affirms to be “the envisioned Supreme, the celestial and divine.” What is Beauty if it does not bless one with bhakti! “The Seer’s Eye” opens with an image of “a white vulture’s feathered nest” made comfortable with soft “fleece.” The seer ventured to know whether that presented a “fore or hind”— future or past—sight. The subtle reference is to the tyrants and despots, dead and alive. The poem ends with an optimistic note: “‘Sure they do.’ Confident, the seer says.”

 
 
 

English Studies Journal, Of Variety and Brevity, ELT1 professiona, Beauty and the Feast, Bush, Kautilya, Chanakya, Ghori, Chengiz, Decorate, Values, Wisdom, A Study of V V B Rama Rao’s Poetry.