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The IUP Journal of English Studies :
Trauma and Collective Memory in Toni Morrison’s Beloved and A Mercy
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This paper documents Toni Morrison’s approach to community as a source of enrichment and healing in the novels Beloved and A Mercy. Her writing attempts at constructing a communal identity for her readers and characters. She explains to Gilroy (1993) that she writes “with a specific aim in order to enlighten black people.” Morrison attempts to reconnect present-day African American readers to their historical and cultural past. The reclamation of history is made through the communal identity by bearing witness to their lives as slaves, which has remained untold or unremembered. The plots of her novels explore the various ways in which trauma is present and alive among the characters who represent aspects of African American history and community. It also emphasizes the creative processes through which her African American characters search, share, and recreate their own distinct cultural memories upon which to build an identity. The paper looks into Morrison’s two most notable novels, Beloved and A Mercy, for its retrieval of communal identity.

 
 
 

Communal identity is an integral part necessary not only for the transcendence of society or for a single private self, but also to reverse the shame and stigma which the system of slavery has inflicted on the African Americans. Sharing stories and exchanging experience is therefore a source of enrichment and healing as we find in Toni Morrison’s Beloved and A Mercy. Morrison’s African American cultural perspective can be stated as entirely cross-cultural. It is of a culture which is constructed from integrated and mutually influencing African and American cultural strands which together create a new and distinct culture.

Morrison has often been regarded as the foremost American literary voice for both pre-slavery and post-slavery African American culture. In her works, she addresses the position of the African American person in the contemporary world. She is especially concerned with the way the African American individuals and communities are expressive or silenced within a dominant culture which historically has been intolerant of racial difference. For Morrison, to write “about race” is not a matter of parading her characterizations as a way to depict essential traits and universal experiences of African Americans as a unified people. It is admitting that race determines if not how one perceives the world, then at least how one is perceived by the world. For Morrison, race is inextricable from the question of what it means and how it feels to be an individual in a particular time and place.

 
 
 

English Studies Journal, Some kind of tomorrow, American individuals, Morrison’s African American, American Literary, Trauma, Collective Memory, Toni Morrison’s.