Trauma and Collective Memory in Toni Morrison’s Beloved and A Mercy
Article Details
Pub. Date
:
Dec, 2015
Product Name
:
The IUP Journal of English Studies
Product Type
:
Article
Product Code
:
IJES31512
Author Name
:
C L Shilaja
Availability
:
YES
Subject/Domain
:
English Studies
Download Format
:
PDF Format
No. of Pages
:
7
Price
For delivery in electronic
format: Rs. 50;
For deliv e4ery through courier (within India): Rs.
50 + Rs. 25 for Shipping & Handling Charges
Download
To download this Article click on the button below:
Abstract
This paper documents Toni Morrison’s approach to community as a source of enrichment and healing in the novels Beloved and A Mercy. Her writing attempts at constructing a communal identity for her readers and characters. She explains to Gilroy (1993) that she writes “with a specific aim in order to enlighten black people.” Morrison attempts to reconnect present-day African American readers to their historical and cultural past. The reclamation of history is made through the communal identity by bearing witness to their lives as slaves, which has remained untold or unremembered. The plots of her novels explore the various ways in which trauma is present and alive among the characters who represent aspects of African American history and community. It also emphasizes the creative processes through which her African American characters search, share, and recreate their own distinct cultural memories upon which to build an identity. The paper looks into Morrison’s two most notable novels, Beloved and A Mercy, for its retrieval of communal identity.
Description
Communal identity is an integral part necessary not only for the transcendence of
society or for a single private self, but also to reverse the shame and stigma
which the system of slavery has inflicted on the African Americans. Sharing
stories and exchanging experience is therefore a source of enrichment and healing as we
find in Toni Morrison’s Beloved and A Mercy. Morrison’s African American cultural
perspective can be stated as entirely cross-cultural. It is of a culture which is constructed
from integrated and mutually influencing African and American cultural strands which
together create a new and distinct culture.
Morrison has often been regarded as the foremost American literary voice for both
pre-slavery and post-slavery African American culture. In her works, she addresses the
position of the African American person in the contemporary world. She is especially
concerned with the way the African American individuals and communities are expressive
or silenced within a dominant culture which historically has been intolerant of racial
difference. For Morrison, to write “about race” is not a matter of parading her
characterizations as a way to depict essential traits and universal experiences of African Americans as a unified people. It is admitting that race determines if not how one perceives
the world, then at least how one is perceived by the world. For Morrison, race is inextricable
from the question of what it means and how it feels to be an individual in a particular time
and place.
Keywords
English Studies Journal, Some kind of tomorrow, American individuals, Morrison’s African American, American Literary, Trauma, Collective Memory, Toni Morrison’s.