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The IUP Journal of English Studies :
Negotiating Transnational Identities: A Study of Nadine Gordimer’s The Pickup
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This paper examines Nadine Gordimer’s post-apartheid novel The Pickup in the light of an all-inclusive social, political, and economic restructuring and reforms in South Africa after the demise of apartheid. South African democracy, in the new millennium, negotiates the process of globalization and its transnational responses that create new models of lopsided developments and opportunities in the civil society. It is not just globalization that has given rise to this asymmetrical access to economic resources; since the demise of apartheid, South Africa is faced with great influx of illegal immigrants and refugees from the neighboring states which further puts an excess load on the fledgling South African economy. In The Pickup, Gordimer explores these issues that are beyond the nation and its political imaginary. In the novel, she gives up her exclusive focus on South Africa and its national specificity and moves beyond to explore the idea of the nation less as a unified concept, more as an open society, in which freedom abounds beyond the abstract ideal. The paper analyzes how The Pickup presents a post-apartheid scenario of global and shifting identities wherein Gordimer rejects the idea of linear local trajectories of individual sensibilities and investigates the intersecting boundaries of varied local/global subjectivities and the continually evolving transnational identities in the contemporary globalized world.

 
 
 

Nadine Gordimer, the well-known South African writer and a Nobel Laureate, has been a pioneering presence on the world literary scene. Gordimer’s opus comprises the most significant sustained literary response to apartheid and post-apartheid political immediacy. In her works, she elucidates as fully as possible the grounds of conflict where politics, sexuality, racism, and sexism interact. Gordimer acts upon her racially affected society and simultaneously “history is acting upon her,” affecting her “manner of apprehension” (Gordimer 1995b). Arts and literature, across different cultures, impel the frontiers and edges of creative imagination to comprehend both communal and individual realities. So contemporary writers like Gordimer, Coetzee, Rushdie, Marquez, and many others transcend the existing notions of social morality and values to subvert and explore the trajectory of human civilization. One can observe that Gordimer’s oeuvre spans the entire period of apartheid and beyond in South Africa and is symptomatic of the radical possibilities that have brought about the end of apartheid in the country. In her preoccupation with the South African landscape, Gordimer re-orients the native individual identity and at the same time de-centers the white self.

 
 
 

English Studies Journal, Negotiating Transnational Identities, HIV/AIDS, South Africa, Nadine Gordimer’s The Pickup.