Nadine Gordimer, the well-known South African writer and a Nobel Laureate, has
been a pioneering presence on the world literary scene. Gordimer’s opus comprises
the most significant sustained literary response to apartheid and post-apartheid
political immediacy. In her works, she elucidates as fully as possible the grounds of conflict
where politics, sexuality, racism, and sexism interact. Gordimer acts upon her racially
affected society and simultaneously “history is acting upon her,” affecting her “manner of
apprehension” (Gordimer 1995b). Arts and literature, across different cultures, impel the
frontiers and edges of creative imagination to comprehend both communal and individual
realities. So contemporary writers like Gordimer, Coetzee, Rushdie, Marquez, and many
others transcend the existing notions of social morality and values to subvert and explore
the trajectory of human civilization. One can observe that Gordimer’s oeuvre spans the entire period of apartheid and beyond in South Africa and is symptomatic of the radical
possibilities that have brought about the end of apartheid in the country. In her preoccupation
with the South African landscape, Gordimer re-orients the native individual identity and at
the same time de-centers the white self.
|