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The IUP Journal of English Studies :
Negotiating Identities in Tabish Khair’s The Bus Stopped and M G Vassanji’s The Assassin’s Song
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The twentieth century witnessed large-scale migrations, especially from the so-called third world countries to the West, for sociopolitical and economic reasons. Globalization came as a catalyst, adding to the pace of resettlements and melting of borders. It resulted in various identities coming together along with their cultural differences and their being alien to the native ethos. As a consequence, many nations were confronted with a series of problems that seemed difficult to resolve. Not only cultural differences but also the identities, i.e., the fact that immigrants could not shed the sense of their belonging to the country they came from, gave way to diversity, conflicts of interests, divisiveness, ghettoization, and occasional display of hostility. Increasingly, it is becoming apparent that the myth of a nation with its homogenizing tendency is not enough to unify all the people living within a nation’s territorial boundaries, as the whole discourse of nation seems to ignore the diversity of those different groups it seeks to homogenize. However, nationalism and racial-ethnic discrimination are in a reciprocal relationship. The last two decades are witness to the fact that with globalization the world is learning to celebrate diversity and pluralism. It is also the logical result of the living together of different groups, interacting and socializing. This paper explores, with reference to Tabish Khair’s The Bus Stopped and M G Vassanji’s The Assassin’s Song, how this issue influences a novelist’s creative urge and finds reflection in her/his portrayal of characters.

 
 
 

As Heidegger (1971, 154; emphasis added) puts it, “A boundary is not that at which something stops but, as the Greeks recognized, the boundary is that from which something begins its presencing.” Borders are not merely geographical limits; they signify a lot more. Identities are related to these borders in various ways. With immigration, these borders come to new places as well. Virtual borders are quite visible in countries that have accommodated different cultures, languages, and religions. These borders may become blurred when two cultures coexist peacefully, or they may become more visible, more concrete when they are on hostile terms. It is individuals who represent, mostly inadvertently, the distinctiveness of their respective cultures, but in a necessarily composite society, these borders no longer remain rigid because of the inevitability of exchanges and negotiations through social interactions. Exchanges between two cultures transform the identities and result in blurred borders becoming fuzzier.

The geographical location, combined with race, ethnicity, religion, etc., constitutes apparently inseparable elements of an individual’s identity. When one migrates to a new country, perhaps one becomes conscious of these various elements because of the fear that one’s original culture is at risk. On the other hand, often, it is also observed that immigrants, in order to be more acceptable to their new place, try to come to the mainstream. Tacit negotiations continue to take place resulting in a generation confused with identity and a victim of conflicts within. A boy born in the US to South Asian and Canadian parents, for example, inherits elements shaping his identity from parents and also imbibes from where he is being brought up. This dynamics of cultural interaction leads, at a social level, to peace and amicable adjustments, but at the individual level to a search for one’s identity.

 
 
 

English Studies Journal, Negotiating, Identities, Tabish Khair’s, M G Vassanji’s, “Homes”, irritation, distaste, “Homes, Again”, The Assassin’s Song.