The term `multiculturalism'
refers to the presence of a wide and distinguishable variety
of racial, ethnic and cultural diversity within the demography
of a nation-state, as it is recognized today. While multiculturalism
is also seen as an offshoot of the pragmatic movement of
the 19th century and cultural pluralism of the
20th century, in the literary context, it is seen
more as an attempt by indigenous as well as expatriate ethnic,
linguistic and cultural groups to find their own voice, to
express themselves in one mode or other, and to come to terms
with their own place in the larger scheme of things. In other
words, multiculturalism in literature could be seen as a
fitting reply to the school of thought that reflects Karl
Marx's words, uttered though in a different context: "They
cannot represent themselves, they must be represented" (The
Eighteenth Brumaire of Louis Bonaparte, Chapter VII). Represent
certainly `they' can, and do it far better than others. Undoubtedly,
the writings of an African-American or an Amerindian about
his/her own experiences, for instance, sound more convincing
than what an outsider thinks he/she may be experiencing.
Multiculturalism has other uses as well. If all the cultures
of the world represent pieces of a jigsaw puzzle, then each
culture is essential to solve that puzzle called life. If
man's quest is to understand himself and his life better,
then representations and representative voices from each
culture serve to complement and complete the totality of
human experience. In the melting pot which the globalized
world has become, homogeneity is fast being replaced by multiculturalism,
which fetes diversity and thus promotes distinction. Hector
St. John Crevecoeur may have concluded "What attachment
can a poor European emigrant have for a country where he
had nothing? The knowledge of the language, the love of a
few kindred as poor as himself were the only cords that tied
him" (Letters from an American Farmer), but in the modern
melting pot what has stuck with each group, wherever it is,
is its cultural identityin relation to itself as well
as others within the nation. The country of which an ethnic
group is a part may give that group their "land, bread,
protection, and consequence," but ethnic groups cannot
obviously live by bread alone. They need to be heard, recognized
and appreciated for what they are. And often in the resultant
interplay of cultures, issues that are common to all cultures such
as human rights and equality for womendraw their strength
and sustenance, reinforcing each other reciprocally. Incidentally,
four of the five articles in this issue touch upon topics
related to multiculturalism.
In the first article, "`Delightful Cousins' and `Scandalous
Prayer': Multiculturalism and Ecofeminism in Alice Walker's
By the Light of My Father's Smile," the author, Kishori
Nayak K, takes a close look at the multicultural aspects
of Alice Walker's novel that traces the experiences of Robinson's
family, which goes from the United States to Mexico. The
author, while focusing on the richness of the multicultural
interface among the characters hailing from such varied cultures
as the Christianized African-American, the mixed-race of
Blacks and Indians called the Mundos as well as the East
European Greek culture of Kalimasa, underscores how the novel
also celebrates the womanist and ecofeminist aspects, as
the characters explore the various shades of female sexuality
and human spirit.
In the second article, "Internationalizing Gatsby and
the American Dream," the author, Somdatta Mandal, discusses
the evergreen topic of American Dream-gone-sour, as depicted
in Fitzgerald's rags-to-riches Gatsby myth that presents
the rise and fall of Jay Gatsby. Though Gatsby's attempts
to gain acceptance into the affluent but uncaring and decadent
American society of the 1920s and his tragic end presaged
the onset of the American disillusionment with the American
Dream, the novel has spawned a whole body of literature featuring
Gatsby-like characters and themes. The author traces the
indelible imprint of Gatsby, the novel as well as the protagonist,
on writers of different cross-cultural settings such as British
writers Ali Smith and Hanif Kureishi, Chinese Wu Ningkun,
Iranian Azar Nafisi, and Puerto-Rican American Ernesto Quinonez.
In the third article, "Multiethnic Literature for the
Beginners, with an Introduction to Native American Studies
and Its Pioneer, N Scott Momaday," the author, K Subapriya,
gives a brief introduction to the various facets of multiethnic
literature, with particular reference to Native American
literature. The author is of the opinion that the works of
N Scott Momaday are representative of the essence of Native
American literature and hence studying Momaday's works would
serve as a crash course to those who are interested in studying
Native American literature.
In the fourth article, "An Introduction to Chicanism," the
author, M Maria Felci Rajathi, traces the history of the
Chicanas, with particular reference to the Chicana feminist
movement, which seeks to address issues such as male dominance
and emancipation of Chicana women. As Chicana women try to
free themselves from the shackles imposed by male chauvinism,
the complexity of their experiences and their attempts to
reinvent themselves often find new means of self-expression,
including lesbianism.
In the fifth article, "American Studies in India: Retrospect
and Prospect," the author, E Nageswara Rao, provides
a detailed sketch of the origin and progress of the American
Studies in India. Though American Studies has come a long
way since the 1940s and 1950s when it was available to Indian
students only through lectures by visiting American professors
and workshops and seminars on American topics funded by organizations
like USEFI, USIS, and Ford and Rockefeller Foundations, the
changed global order and altered ground realities have relegated
the subject to sidelines. Hence, the author calls for the
formulation of a new approach to American Studies that includes
re-contextualization, internationalization, and environmental
approach.
-- R Venkatesan Iyenger
consulting Editor |