Literature evolves everyday, widely encompassing various fields. Its ability
to accept and imbibe the upcoming new studies and writings makes it
enthralling. Multiethnic literature is one such category, which came
up in the late 20th century due to the European colonization of America.
Among multiethnic literatures, Native American is more popular and is widely
studied for its documentation of its unique experiences and fabulous culture. In
particular, it is essential to study N Scott Momaday,
who, in a way, favored Native American literature by exhibiting its importance to the world through his contributions.
A close look at the basic definitions, status, scope, constituents and features
of multiethnic and Native American studies and an analysis of a major work of
N Scott Momaday are essential to comprehend this complex
field.
To begin with, in the term `multiethnic,' `multi' implies `various' and
the term `ethnic' in itself involves complexities.
The Oxford English Dictionary defines the term `ethnic' as a social group having a common racial or cultural
tradition. It also refers to the people with a specific origin derived by birth or
descent, rather than nationality. In contrast to the above notion, Max Weber, the
German sociologist, has evolved a new concept for the term `ethnic':
We shall call `ethnic groups' those human groups that entertain
a subjective belief in their common descent because of similarities
of physical type or of customs or both, or because memories of
colonization or migration
it does not matter whether or not an objective
blood relationship exists (Weber, 1997). |