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The IUP Journal of English Studies :
Alice Childress' Wine in the Wilderness: A Harbinger of the Golden Era of the 1970s African-American Feminist Epistemology
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The rise and success of African-American women is phenomenal. From a Mammy, a Jezebel, a Welfare Mother, a Domestic, to becoming teachers and nurses, they have come a long way to be regarded as successful African-American women in different walks of life. They empowered themselves to break the citadels of male power and the bastions of male privileges. Lorraine Hansberry, Alice Childress and Ntozake Shange as playwrights; Oprah Winphrey, Naomi Campbell, Halle Berry and Whoopi Goldberg in media, TV, etc.; Mae Jemison as an astronaut; Coleman Bessie with an international pilot's license; Sarah E Goodie as a patent holder; and the most powerful woman of our age, Condoleezza Rice, are just a few examples. The politics that they had to grapple with during the process of their self-empowerment is recorded and represented by many writers.

 
 
 

Alice Childress was born in 1920 in South Carolina. She joined the American Negro Theater of Harlem in 1940 as an actress. In 1941, she became the Director of the American Negro Theater. She was the first African-American woman to have a play produced professionally on the Broadway, and was the first woman to win an Obie Award. Childress was also awarded the Paul Robeson Prize for her outstanding contribution to the Arts. She dedicated herself to the cause of young Black women. She says: "My writing attempts to interpret the `ordinary' because they are not ordinary".

Wine in the Wilderness is a one-act play, a social comedy. The comic situations help Childress to throw light on the ironies of her timepolitical, social and theatrical. Though the comic situations ease the tensions generated in the play, the serious intention of the playwrightto focus upon the conflict of attitudes towards African-American identitycannot be undermined.

The play is set in the apartment of Bill, a Black artist. Bill is painting a triptych `Wine in the Wilderness'. One panel shows a little Black girl in all her innocence. Another, the centerpiece, the `Wine in the Wilderness', shows an exquisite, perfect ideal of African beauty. The third is to be a contrast to the ideal. Bill is on the lookout for a model for this third panel, when he gets a call from his neighbor Sonny-Man and Cynthia. They find a perfect model for the lost woman. They meet Tomorrow Marie, or Tommy, who is in a bar, waiting for a race-riot to end.

 
 
 

English Studies Journal, Alice Childress, the American Negro Theater, African-American woman, play produced professionally, young Black women, timepolitical, social and theatrical, transformation of societal relations, women's empowerment, more prominent leadership role, women's education