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The IUP Journal of English Studies :
Jim Crowism: The Catalyst for Bigger Thomas's Violence in Richard Wright's Native Son
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Native Son (1940) introduces Bigger Thomas as an African American character whose meaningless life suddenly gets meaning after accidentally murdering Mary Dalton, a white wealthy lady, in Chicago. Indeed, Bigger feels that the murder has opened a new world of many possibilities for him; having broken Jim Crow conventions, and for the moment having escaped penalty, he feels amazingly free. It is not an exaggeration to say that the murder has been a catalyst for a dramatic and liberating change of identity. This paper is an examination of the ways in which Jim Crow laws, practices and conditions shape the individual personality of Bigger. By delineating some of the acts of Bigger's violence and comparing them to the acts theorized by Fanon in The Wretched of the Earth, the paper demonstrates some of the advantages that stem from an approach that interprets Richard Wright's text through the framework offered by theories of postcolonialism.

 
 
 

Wright makes it clear that Bigger's violence stems from his internalization of the social taboos upholding Jim Crowism. He shows the extent to which Jim Crow demands interfered with relations between black and white peoples, to the point where neither side trusted the other and their mutual hatred was pathological. The most obvious effect that these laws had was to paint black people as dangerous to white society, thus helping to lead white people to the view that blacks needed to be segregated in black ghettos. Bigger's reaction to segregation, and to the inequalities it embodied and propagated, shows the extent of his anger towards and resentment of whites.

This section focuses on the particulars of Richard Wright's text to study the central character Bigger Thomas's reaction to Jim Crowism and shows how Wright uses this to explain Bigger's first murder. Accordingly, it examines the murder scene in detail, looking at how Jim Crow violence and customs shape Bigger's motivations in one of the most defining and impressive works of Wright's career, Native Son.

Native Son became the first bestselling novel by an African American writer and the first Book-of-the Month Club selection. It sold over 200,000 copies in less than a month and put Wright on the map of 20th century literature. In 1941 in recognition of his achievement, the National Association for the Advancement of Colored People awarded him the prestigious Spingarn Medal in Houston. In addition, the novel was adapted into a stage drama, the script of which Wright wrote in collaboration with Paul Green. Today, the novel is crucial to an understanding of 20th century American literature.

The chief significance of Native Son, however, lies in its protest against racial discrimination in America - as seen in Jim Crow laws and customs, segregation, and poverty - imposed on African Americans by the dominant white society. This novel brought wealth and fame to Wright and made him recognizable as the `father of Black American literature'.

 
 
 

English Studies Journal, Jim Crowism, Postcolonialism, Social Taboos, Physical Proximities, Cultural Disfigurements, Psychological Disfigurements, Internalization, Psychological Fronts, Psychoanalytic Interpretations, Black Masculinity.